"YOU HAVE ARRIVED"
I write "TRIXTER" Welcome to my website!
Names are central to the most dynamic cultural phenomenon resurfacing within the last century, and currently pervading an immensively growing contemporary movement of youth and youth culture. Origination is an important aspect of the culture, styles are coveted from artist to artist , crew to crew, region to region, country to country. As a pioneering artist and active practitioner I've recognized the importance of cultural dissemination as it regards the enculturation of practices and trends in Art movements, and thus my latter works have been focused in the theoretical and aesthetic , the anthropological and memetic qualities of the Art form.
The history of writing instruments by which humans have recorded and conveyed thoughts, feelings, and experiences, is the history of civilization itself. This is how we know the story of us, by the drawings, signs, and words we have recorded. With writing developed mans entrance into higher being and mass scale civilization was readably grasped. The history of writing regards the development of expressing language by letters or other marks. In the history of how systems of representation of language through graphic means have evolved in different human civilizations. Writing numbers for record keeping began long before writing of language. Civilization and Technology exist because of writing.
Names are central to the most dynamic cultural phenomenon resurfacing within the last century, and currently pervading an immensively growing contemporary movement of youth and youth culture. Origination is an important aspect of the culture, styles are coveted from artist to artist , crew to crew, region to region, country to country. As a pioneering artist and active practitioner I've recognized the importance of cultural dissemination as it regards the enculturation of practices and trends in Art movements, and thus my latter works have been focused in the theoretical and aesthetic , the anthropological and memetic qualities of the Art form.
The history of writing instruments by which humans have recorded and conveyed thoughts, feelings, and experiences, is the history of civilization itself. This is how we know the story of us, by the drawings, signs, and words we have recorded. With writing developed mans entrance into higher being and mass scale civilization was readably grasped. The history of writing regards the development of expressing language by letters or other marks. In the history of how systems of representation of language through graphic means have evolved in different human civilizations. Writing numbers for record keeping began long before writing of language. Civilization and Technology exist because of writing.
Graffiti Art & Science
Structure. Structure is a core aspect of alphanumeric forms. In looking at the Egyptian Djed as the foundating structure for civilization, we can ascribe to it, varying structural consistencies, in relative associations to alphabetic structures and other symbolic or numerological parallels.
We will begin our inference with the letter "X" as our subjective focal, befitting as is a universal ly recognized symbol for the unknown. The origin of language is currently an unsolved mystery according to mainstream science. It is the major unsolved problem in linguistics despite centuries of interest in the topic. At least 250 alphabets evolved since cave inscription, only 50 have survived.
We will begin our inference with the letter "X" as our subjective focal, befitting as is a universal ly recognized symbol for the unknown. The origin of language is currently an unsolved mystery according to mainstream science. It is the major unsolved problem in linguistics despite centuries of interest in the topic. At least 250 alphabets evolved since cave inscription, only 50 have survived.
Origins
X – What? The Information entropy of a discrete random variable X, that can take on possible values is where {x1...xn} is I (X) is the information content or self-information of X, which is itself a random variable; and
p (xi) = Pr (X=xi) is the probability mass function of X.
The letter X is the twenty-fourth letter in the Latin alphabet. Its name in English is ex (/ɛks/).
In phonetics, x is the IPA and X-SAMPA symbol for the voiceless velar fricative (IPA is used for pronunciation throughout this article).
The consonant cluster /ks/ was, in Ancient Greek, written as either Chi Χ (Western Greek) or Xi Ξ (Eastern Greek). In the end, Chi was standardized as /kʰ/ (/x/ in Modern Greek), while Xi was standardized for /ks/. But the Etruscans had taken over Χ from older Western Greek; therefore, it stood for /ks/ in Etruscan and Latin.
It is unknown whether the letters Chi and Xi are Greek inventions, or whether they are ultimately of Semitic origin. Chi was placed toward the end of the Greek alphabet, after the Semitic letters, along with Phi, Psi, and Omega, suggesting that it was an innovation; further, there is no letter corresponding specifically to the sound /ks/ in Semitic.
There was a Phoenician letter kheth with a probable sound /ħ/, somewhat similar to /kʰ/, but this was adopted into Greek as first the consonant /h/, and later, the long vowel Eta (Η,η), and does not seem to have been the source of Greek Chi. The Phoenician letter Samekh (representing /s/) is usually considered the inspiration for Greek Xi, but as noted, Chi had a graphically distinct shape from Xi — although it may possibly have been another variant originally based on samekh. The original form of samekh may have been an Egyptian hieroglyph for the Djed column, but this too is uncertain, as no intervening Proto-Sinaitic form of this letter is attested.
X – What? The Information entropy of a discrete random variable X, that can take on possible values is where {x1...xn} is I (X) is the information content or self-information of X, which is itself a random variable; and
p (xi) = Pr (X=xi) is the probability mass function of X.
The letter X is the twenty-fourth letter in the Latin alphabet. Its name in English is ex (/ɛks/).
In phonetics, x is the IPA and X-SAMPA symbol for the voiceless velar fricative (IPA is used for pronunciation throughout this article).
The consonant cluster /ks/ was, in Ancient Greek, written as either Chi Χ (Western Greek) or Xi Ξ (Eastern Greek). In the end, Chi was standardized as /kʰ/ (/x/ in Modern Greek), while Xi was standardized for /ks/. But the Etruscans had taken over Χ from older Western Greek; therefore, it stood for /ks/ in Etruscan and Latin.
It is unknown whether the letters Chi and Xi are Greek inventions, or whether they are ultimately of Semitic origin. Chi was placed toward the end of the Greek alphabet, after the Semitic letters, along with Phi, Psi, and Omega, suggesting that it was an innovation; further, there is no letter corresponding specifically to the sound /ks/ in Semitic.
There was a Phoenician letter kheth with a probable sound /ħ/, somewhat similar to /kʰ/, but this was adopted into Greek as first the consonant /h/, and later, the long vowel Eta (Η,η), and does not seem to have been the source of Greek Chi. The Phoenician letter Samekh (representing /s/) is usually considered the inspiration for Greek Xi, but as noted, Chi had a graphically distinct shape from Xi — although it may possibly have been another variant originally based on samekh. The original form of samekh may have been an Egyptian hieroglyph for the Djed column, but this too is uncertain, as no intervening Proto-Sinaitic form of this letter is attested.
.As we grow increasingly towards a more and more technological world, Graffiti and it's significance in society has been obscured, The parallels in the debate of what it is and isn't, persist, even in light of it's growing adaptation and growth in to selective and mainstream sectors of society. As an information art form, the parallels mirror the age we are transitioning too. A prime reference would be the drive to "digitize the classroom" in the advent of the extended use of computers as the primary tool for recording and reviewing schoolwork, which means no writing, no use of the pen, and it's many beneficial, even essential aspects of pratical use and physical or mental development
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